{"version":"1.0","type":"rich","provider_name":"La Tribune de l’Art","provider_url":"https:\/\/www.latribunedelart.com","title":"The Burlington Magazine - n\u00b01452 vol CLXVI - March 2024","author_name":"La Tribune de l’Art","width":"800","height":"600","url":"https:\/\/www.latribunedelart.com\/the-burlington-magazine-no1452-vol-clxvi-march-2024","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/www.latribunedelart.com\/the-burlington-magazine-no1452-vol-clxvi-march-2024'\u003EThe Burlington Magazine - n\u00b01452 vol CLXVI - March 2024\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003EA Francis Bacon discovery \n\u003Cbr class='autobr' \/\u003E\n Editorial The National Gallery \n\u003Cbr class='autobr' \/\u003E\nLetter \n\u003Cbr class='autobr' \/\u003E\nArticles \n\u003Cbr class='autobr' \/\u003E\nRebecca Daniels, A \u2018crucifixion complex\u2019: two newly discovered sketches attributed to Francis Bacon \n\u003Cbr class='autobr' \/\u003E\nDavid Franklin, A rediscovered \u2018Piet\u00e0\u2019 by Andrea del Sarto \n\u003Cbr class='autobr' \/\u003E\nMaria Clelia Galassi, The permanence of ephemera: a rediscovered fragment by Frans Floris \n\u003Cbr class='autobr' \/\u003E\nReinier Baarsen, Johannes Lutma the Elder: goldsmith, designer, draughtsman \n\u003Cbr class='autobr' \/\u003E\nCecilia Vicentini, Giuseppe Antonio Ghedini\u2019s drawings for \u2018Il Ricciardetto\u2019 (\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}