{"version":"1.0","type":"rich","provider_name":"La Tribune de l’Art","provider_url":"https:\/\/www.latribunedelart.com","title":"The Burlington Magazine - n\u00b01350 - Septembre 2015","author_name":"La Tribune de l’Art","width":"800","height":"600","url":"https:\/\/www.latribunedelart.com\/the-burlington-magazine-no1350-septembre-2015","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/www.latribunedelart.com\/the-burlington-magazine-no1350-septembre-2015'\u003EThe Burlington Magazine - n\u00b01350 - Septembre 2015\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003EArticles \n\u003Cbr class='autobr' \/\u003E\nPhilip McEvansoneya, Edward Burne-Jones, William Morris, Dante Gabriel \u00adRossetti, Harry Ward and illuminated manuscripts \n\u003Cbr class='autobr' \/\u003E\nTimothy Wilcox, Laura and Harold Knight in the First World War \n\u003Cbr class='autobr' \/\u003E\nRichard Verdi, Rembrandt and C\u00e9zanne \n\u003Cbr class='autobr' \/\u003E\nDiana J Kostyrko, Ren\u00e9 Gimpel\u2019s \u2018Diary of an Art Dealer\u2019 \n\u003Cbr class='autobr' \/\u003E\nWendy Baron, The sources of two late views of Venice by Sickert \n\u003Cbr class='autobr' \/\u003E\nGiovanni Casini, Richard Hamilton at the Slade School of Fine Art (1948-51) and his \u2018abstract\u2019 paintings of the early 1950s \n\u003Cbr class='autobr' \/\u003E\nLetters (\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}