{"version":"1.0","type":"rich","provider_name":"La Tribune de l’Art","provider_url":"https:\/\/www.latribunedelart.com","title":"The Burlington Magazine - N\u00b01340 - Novembre 2014","author_name":"La Tribune de l’Art","width":"800","height":"600","url":"https:\/\/www.latribunedelart.com\/the-burlington-magazine-no1340-novembre-2014","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/www.latribunedelart.com\/the-burlington-magazine-no1340-novembre-2014'\u003EThe Burlington Magazine - N\u00b01340 - Novembre 2014\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003EArticles \n\u003Cbr class='autobr' \/\u003E\n\"To God alone the honour and glory\" : further notes on the patronage of Pietro Lombardo\u2019s choir screen in the Frari, Venice, by Allison Sherman \n\u003Cbr class='autobr' \/\u003E\nLuca Cambiaso the sculptor: a \"Bacchus\" in the Bargello, by Raffaela Fontanarossa \n\u003Cbr class='autobr' \/\u003E\nThe unveiling of Mochi\u2019s \"Veronica\", by Louise Rice \n\u003Cbr class='autobr' \/\u003E\nTwo German sculptors who transformed the arts of colonial Chile:\u2008Johannes Bitterich and Jacob Kelner, by Gauvin Alexander Bailey, Fernando Guzm\u00e1n \n\u003Cbr class='autobr' \/\u003E\nDrawing in exile: Jean-Baptiste Carpeaux and the (\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}