{"version":"1.0","type":"rich","provider_name":"La Tribune de l&#8217;Art","provider_url":"https:\/\/www.latribunedelart.com","title":"The Burlington Magazine - n&#176;&nbsp;1451 vol CLXVI - February 2024","author_name":"La Tribune de l&#8217;Art","width":"800","height":"600","url":"https:\/\/www.latribunedelart.com\/the-burlington-magazine-no-1451-vol-clxvi-february-2024","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/www.latribunedelart.com\/the-burlington-magazine-no-1451-vol-clxvi-february-2024'\u003EThe Burlington Magazine - n&#176;&nbsp;1451 vol CLXVI - February 2024\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003ESweden in London&nbsp;: the 1924 Royal Academy exhibition \n\u003Cbr class='autobr' \/\u003E\n Editorial \n\u003Cbr class='autobr' \/\u003E\nThe end of reproduction fees&nbsp;? \n\u003Cbr class='autobr' \/\u003E\nArticles \n\u003Cbr class='autobr' \/\u003E\nEric Bianchi, Sheila Barker, \u2018Upon his visit to see my paintings\u2019&nbsp;: sonnets by Artemisia Gentileschi and Pietro della Valle \n\u003Cbr class='autobr' \/\u003E\nAlison Manges Nogueira, Concealing Portraits in Renaissance Venice&nbsp;: Jacometto\u2019s Painted Box \n\u003Cbr class='autobr' \/\u003E\nJustin Davies, Early Copies on Panel after Anthony Van Dyck&nbsp;: New Findings \n\u003Cbr class='autobr' \/\u003E\nMaryanne Stevens, Tailored to a conservative taste&nbsp;? The Swedish exhibition at the&nbsp;(\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}