{"version":"1.0","type":"rich","provider_name":"La Tribune de l’Art","provider_url":"https:\/\/www.latribunedelart.com","title":"The Burlington Magazine - n° 1434 vol CLXIV - September 2022","author_name":"La Tribune de l’Art","width":"800","height":"600","url":"https:\/\/www.latribunedelart.com\/the-burlington-magazine-no-1434-vol-clxiv-september-2022","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/www.latribunedelart.com\/the-burlington-magazine-no-1434-vol-clxiv-september-2022'\u003EThe Burlington Magazine - n° 1434 vol CLXIV - September 2022\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003EEditorial \n\u003Cbr class='autobr' \/\u003E\nA practical guide to restitution \n\u003Cbr class='autobr' \/\u003E\nArticles \n\u003Cbr class='autobr' \/\u003E\nRahul Kulka, Counter-Reformation ambers : Friedrich Schmidt\u2019s workshop in Kretinga, Lithuania \n\u003Cbr class='autobr' \/\u003E\nJaynie Anderson, \u2018A gracious invention\u2019 : Veronese\u2019s unfinished painting for the Mocenigo family \n\u003Cbr class='autobr' \/\u003E\nAurora Laurenti, Nicolas Pineau as a designer of ornament prints \n\u003Cbr class='autobr' \/\u003E\nKrystyna Matyjaszkiewicz, Algernon Moses Marsden, \u2018the most enterprising of picture dealers\u2019 \n\u003Cbr class='autobr' \/\u003E\nKathy Curnow, The Emotan Panel in the Penn Museum \n\u003Cbr class='autobr' \/\u003E\nJohn Gash, Jean Ducamps and (\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}