{"version":"1.0","type":"rich","provider_name":"La Tribune de l’Art","provider_url":"https:\/\/www.latribunedelart.com","title":"The Burlington Magazine - n\u00b0 1430 vol CLXIV - May 2022","author_name":"La Tribune de l’Art","width":"800","height":"600","url":"https:\/\/www.latribunedelart.com\/the-burlington-magazine-no-1430-vol-clxiv-may-2022","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/www.latribunedelart.com\/the-burlington-magazine-no-1430-vol-clxiv-may-2022'\u003EThe Burlington Magazine - n\u00b0 1430 vol CLXIV - May 2022\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003EEditorial \n\u003Cbr class='autobr' \/\u003E\nThe Rustat Memorial \n\u003Cbr class='autobr' \/\u003E\nArticles \n\u003Cbr class='autobr' \/\u003E\nArthur J. Difuria, A rediscovered drawing by Hendrick Goltzius \n\u003Cbr class='autobr' \/\u003E\nAntoinette Friedenthal, Prince Eugene of Savoy\u2019s Rembrandt drawings: a newly discovered provenance \n\u003Cbr class='autobr' \/\u003E\nPascal-Fran\u00e7ois Bertrand, Charissa Bremer David, Paintings in Beauvais tapestry, 1764\u201367 \n\u003Cbr class='autobr' \/\u003E\nSofya Dmitrieva, Carle Van Loo at the 1737 Salon \n\u003Cbr class='autobr' \/\u003E\nDuncan Robinson, Gainsborough in London \n\u003Cbr class='autobr' \/\u003E\nElena Cooper,  Whistler\u2019s \u2018Symphony in white no.1\u2019 through the lens of copyright history (\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}