{"version":"1.0","type":"rich","provider_name":"La Tribune de l’Art","provider_url":"https:\/\/www.latribunedelart.com","title":"The Burlington Magazine - n\u00b0 1429 vol CLXIV - April 2022","author_name":"La Tribune de l’Art","width":"800","height":"600","url":"https:\/\/www.latribunedelart.com\/the-burlington-magazine-no-1429-vol-clxiv-april-2022","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/www.latribunedelart.com\/the-burlington-magazine-no-1429-vol-clxiv-april-2022'\u003EThe Burlington Magazine - n\u00b0 1429 vol CLXIV - April 2022\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003EEditorial \n\u003Cbr class='autobr' \/\u003E\nNotre Dame, two years on \n\u003Cbr class='autobr' \/\u003E\nArticles \n\u003Cbr class='autobr' \/\u003E\nLucy Davis, Natalia Munoz-Rojas, The provenance of \u2018Het Steen\u2019 and \u2018The rainbow landscape\u2019 by Rubens \n\u003Cbr class='autobr' \/\u003E\nLucia Bonazzi, Richard Vickris Pryor in the art market of Napoleonic Europe \n\u003Cbr class='autobr' \/\u003E\nMargaret Oppenheimer, From Paris to New York: French paintings from the collection of Eliza Jumel \n\u003Cbr class='autobr' \/\u003E\nEckart Marchand, Aby Warburg and the Volksheim exhibitions of 1902 and 1905 \n\u003Cbr class='autobr' \/\u003E\nHiltrud Westermann-Angerhausen, Medieval and Renaissance enamels and other works of art (\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}