{"version":"1.0","type":"rich","provider_name":"La Tribune de l&#8217;Art","provider_url":"https:\/\/www.latribunedelart.com","title":"The Burlington Magazine - n\u00b0 1426 vol CLXIV - January 2022","author_name":"La Tribune de l&#8217;Art","width":"800","height":"600","url":"https:\/\/www.latribunedelart.com\/the-burlington-magazine-no-1426-vol-clxiv-january-2022","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/www.latribunedelart.com\/the-burlington-magazine-no-1426-vol-clxiv-january-2022'\u003EThe Burlington Magazine - n\u00b0 1426 vol CLXIV - January 2022\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003EItalian Baroque Art \n\u003Cbr class='autobr' \/\u003E\n Editorial \n\u003Cbr class='autobr' \/\u003E\nThe Courtauld Gallery \n\u003Cbr class='autobr' \/\u003E\nArticles \n\u003Cbr class='autobr' \/\u003E\nRichard E.Spear, Carlo Dolci\u2019s Inscriptions - I: Dolci\u2019s signatures and prices in context \n\u003Cbr class='autobr' \/\u003E\nLetizia Treves, Carlo Dolci\u2019s Inscriptions - II: Diligence and devotion in Dolci\u2019s \u2018The Adoration of the Kings\u2019 in the National Gallery, London \n\u003Cbr class='autobr' \/\u003E\nFernando Loffredo, New light on the colossal statues on the fa\u00e7ade of St Peter\u2019s, Rome \n\u003Cbr class='autobr' \/\u003E\nSilvia Danesi Squarzina, Caravaggio\u2019s \u2018Entombment of Christ\u2019 and the birth of Christian archaeology&nbsp;(\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}