{"version":"1.0","type":"rich","provider_name":"La Tribune de l’Art","provider_url":"https:\/\/www.latribunedelart.com","title":"The Burlington Magazine - n\u00b0 1425 vol CLXIII - December 2021","author_name":"La Tribune de l’Art","width":"800","height":"600","url":"https:\/\/www.latribunedelart.com\/the-burlington-magazine-no-1425-vol-clxiii-december-2021","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/www.latribunedelart.com\/the-burlington-magazine-no-1425-vol-clxiii-december-2021'\u003EThe Burlington Magazine - n\u00b0 1425 vol CLXIII - December 2021\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003EEditorial \n\u003Cbr class='autobr' \/\u003E\nSearching for utopia: from dinosaurs to the metaverse \n\u003Cbr class='autobr' \/\u003E\nArticles \n\u003Cbr class='autobr' \/\u003E\nSteffen Siegel, Nic\u00e9phore Ni\u00e9pce and the industry of photographic replication \n\u003Cbr class='autobr' \/\u003E\nErika Lederman, Isabel Agnes Cowper: Official Museum Photographer \n\u003Cbr class='autobr' \/\u003E\nDario Pasquini, Maria Ponti Pasolini\u2019s photographic archive and architectural conservation in Rome \n\u003Cbr class='autobr' \/\u003E\nPhilip Boot, Ilse Bing at Glyndebourne \n\u003Cbr class='autobr' \/\u003E\nElena Cooper, The \u2018visual turn\u2019 in copyright history and its relevance to art history \n\u003Cbr class='autobr' \/\u003E\nAdam Busiakiewicz, A photograph of (\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}