{"version":"1.0","type":"rich","provider_name":"La Tribune de l’Art","provider_url":"https:\/\/www.latribunedelart.com","title":"The Burlington Magazine - n\u00b0 1401 vol CLXI - December 2019","author_name":"La Tribune de l’Art","width":"800","height":"600","url":"https:\/\/www.latribunedelart.com\/the-burlington-magazine-no-1401-vol-clxi-december-2019","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/www.latribunedelart.com\/the-burlington-magazine-no-1401-vol-clxi-december-2019'\u003EThe Burlington Magazine - n\u00b0 1401 vol CLXI - December 2019\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003EThe Art of Conservation \n\u003Cbr class='autobr' \/\u003E\n Editorial \n\u003Cbr class='autobr' \/\u003E\nForward to the 1970s \n\u003Cbr class='autobr' \/\u003E\nArticles \n\u003Cbr class='autobr' \/\u003E\nDouglas MacLennan, Laura Llewellyn, Mapping gold leaf in Gentile da Fabriano\u2019s paintings: a case study \n\u003Cbr class='autobr' \/\u003E\nAnna Tummers, Arie Wallert, Nouchka de Keyser, Supplementing the eye: the technical analysis of Frans Hals\u2019s paintings \u2013 II \n\u003Cbr class='autobr' \/\u003E\nJo Kirby, The Art of Conservation XVI: Scientific examination of works of art in museums and galleries \n\u003Cbr class='autobr' \/\u003E\nEmily A. Beeny, Evidence of tracing in Manet\u2019s late watercolours \n\u003Cbr class='autobr' \/\u003E\nFran\u00e7ois Marandet, A (\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}