{"version":"1.0","type":"rich","provider_name":"La Tribune de l&#8217;Art","provider_url":"https:\/\/www.latribunedelart.com","title":"The Burlington Magazine - n&#176;&nbsp;1399 vol CLXI - October 2019","author_name":"La Tribune de l&#8217;Art","width":"1600","height":"900","url":"https:\/\/www.latribunedelart.com\/the-burlington-magazine-no-1399-vol-clxi-october-2019","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/www.latribunedelart.com\/the-burlington-magazine-no-1399-vol-clxi-october-2019'\u003EThe Burlington Magazine - n&#176;&nbsp;1399 vol CLXI - October 2019\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003EEditorial \n\u003Cbr class='autobr' \/\u003E\nPowering down in Sydney \n\u003Cbr class='autobr' \/\u003E\nArticles \n\u003Cbr class='autobr' \/\u003E\nBradley Bailey, Duchamp\u2019s \u2018Fountain\u2019&nbsp;: the Baroness theory debunked \n\u003Cbr class='autobr' \/\u003E\nIn-Sung Kim Han, Intertwined birds&nbsp;: Islamic artistic presence in Korean ceramics in the Goryeo period \n\u003Cbr class='autobr' \/\u003E\nThe funerary couch of An Jia and the art of Sogdian immigrants in sixth-century China \n\u003Cbr class='autobr' \/\u003E\nElizabeth Savage, Identifying Hans Baldung Grien\u2019s colour printer, c.1511\u201312 \n\u003Cbr class='autobr' \/\u003E\nOliver Wunsch, Henri de Toulouse-Lautrec\u2019s \u2018Black countess\u2019 identified \n\u003Cbr class='autobr' \/\u003E\nTico Seifert, All the Rembrandts&nbsp;(\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}