{"version":"1.0","type":"rich","provider_name":"La Tribune de l’Art","provider_url":"https:\/\/www.latribunedelart.com","title":"The Burlington Magazine - n° 1394 vol CLXI - May 2019","author_name":"La Tribune de l’Art","width":"800","height":"600","url":"https:\/\/www.latribunedelart.com\/the-burlington-magazine-no-1394-vol-clxi-may-2019","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/www.latribunedelart.com\/the-burlington-magazine-no-1394-vol-clxi-may-2019'\u003EThe Burlington Magazine - n° 1394 vol CLXI - May 2019\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003EEditorial \n\u003Cbr class='autobr' \/\u003E\nBurlington Contemporary : a new journal \n\u003Cbr class='autobr' \/\u003E\nArticles \n\u003Cbr class='autobr' \/\u003E\nMichael Burden, Biagio Rebecca draws the London Opera House : London\u2019s King\u2019s Theatre in the 1790s \n\u003Cbr class='autobr' \/\u003E\nLaurent Manoeuvre, Eug\u00e8ne Boudin\u2019s beach scenes at the Salon during the 1860s \n\u003Cbr class='autobr' \/\u003E\nTeresa Sladen, Alfred Stevens, an art student in Florence, 1834\u201336 \n\u003Cbr class='autobr' \/\u003E\nFrancesca Mattei, The legacy of Girolamo da Carpi : An unpublished document on the history of his drawings \n\u003Cbr class='autobr' \/\u003E\nReview Article \n\u003Cbr class='autobr' \/\u003E\nSimon Lee, Louis-Philippe at Versailles \n\u003Cbr class='autobr' \/\u003E\nExhibitions (\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}