{"version":"1.0","type":"rich","provider_name":"La Tribune de l’Art","provider_url":"https:\/\/www.latribunedelart.com","title":"The Burlington Magazine - n° 1389 vol CLX - D\u00e9cembre 2018","author_name":"La Tribune de l’Art","width":"800","height":"600","url":"https:\/\/www.latribunedelart.com\/the-burlington-magazine-no-1389-vol-clx-decembre-2018","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/www.latribunedelart.com\/the-burlington-magazine-no-1389-vol-clx-decembre-2018'\u003EThe Burlington Magazine - n° 1389 vol CLX - D\u00e9cembre 2018\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003EEditorial \n\u003Cbr class='autobr' \/\u003E\nThe Turner Prize \n\u003Cbr class='autobr' \/\u003E\nArticles \n\u003Cbr class='autobr' \/\u003E\nRosalind P. Blakesley, Russia, Rome and the tricky business of disaster painting \n\u003Cbr class='autobr' \/\u003E\nLouise Hardiman, The \u2018Martinoff Drawings\u2019 : a quest for Russian art at the South Kensington Museum \n\u003Cbr class='autobr' \/\u003E\nJohn E. Bowlt, Vasily Kandinsky and the Formal method \n\u003Cbr class='autobr' \/\u003E\nClara Menganna et Luca Pesante, The predella of the Oddi Altarpiece from S. Agostino, Perugia \n\u003Cbr class='autobr' \/\u003E\nBooks \n\u003Cbr class='autobr' \/\u003E\nJulian Gardner, Apogeo e fine del Medioevo (La Pittura Medievale a Roma, 312\u20131431. Corpus VI). Edited by (\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}