{"version":"1.0","type":"rich","provider_name":"La Tribune de l’Art","provider_url":"https:\/\/www.latribunedelart.com","title":"The Burlington Magazine - n° 1377 vol CLIX - D\u00e9cembre 2017","author_name":"La Tribune de l’Art","width":"800","height":"600","url":"https:\/\/www.latribunedelart.com\/the-burlington-magazine-no-1377-vol-clix-decembre-2017","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/www.latribunedelart.com\/the-burlington-magazine-no-1377-vol-clix-decembre-2017'\u003EThe Burlington Magazine - n° 1377 vol CLIX - D\u00e9cembre 2017\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003EEditorial \n\u003Cbr class='autobr' \/\u003E\nThe Burlington Contemporary Art Writing Prize \n\u003Cbr class='autobr' \/\u003E\nArticles \n\u003Cbr class='autobr' \/\u003E\nLisa Wainwright, Gustave and the goat : Rauschenberg\u2019s \u2018Monogram\u2019 and Courbet\u2019s \u2018The painter\u2019s studio\u2019 \n\u003Cbr class='autobr' \/\u003E\nEd Kr\u010dma, Dating the Dante drawings : Rauschenberg and method \n\u003Cbr class='autobr' \/\u003E\nCharles Beddington, John Gash, Paintings by Canaletto and his father in Aberdeen University \n\u003Cbr class='autobr' \/\u003E\nBeatrice Alai, Two fragments by Girolamo dai Libri and an illuminated leaf by Mariano del Buono in the Kupferstichkabinett, Berlin \n\u003Cbr class='autobr' \/\u003E\nCatherine Craft, The (\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}