{"version":"1.0","type":"rich","provider_name":"La Tribune de l&#8217;Art","provider_url":"https:\/\/www.latribunedelart.com","title":"The Burlington Magazine - n&#176;&nbsp;1373 vol CLIX - August 2017","author_name":"La Tribune de l&#8217;Art","width":"800","height":"600","url":"https:\/\/www.latribunedelart.com\/the-burlington-magazine-no-1373-vol-clix-august-2017","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/www.latribunedelart.com\/the-burlington-magazine-no-1373-vol-clix-august-2017'\u003EThe Burlington Magazine - n&#176;&nbsp;1373 vol CLIX - August 2017\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003EEditorial \n\u003Cbr class='autobr' \/\u003E\nReflected glory&nbsp;: university art collections in Britain \n\u003Cbr class='autobr' \/\u003E\nArticles \n\u003Cbr class='autobr' \/\u003E\nGeorgios E. Markou, Bonifacio de Pitati\u2019s \u2018Triumphs of Petrarch\u2019 and their Cypriot patron \n\u003Cbr class='autobr' \/\u003E\n Giovan Battista Fidanza, Carlo Maratti and the Barberini family&nbsp;: two paintings for churches in Palestrina \n\u003Cbr class='autobr' \/\u003E\nRebecca Jelbert, Paula Modersohn-Becker\u2019s self-portraits and the influence of Dante Gabriel Rossetti \n\u003Cbr class='autobr' \/\u003E\nGavin Parkinson, Surrealism versus the academy&nbsp;: Charles Estienne on Paul Gauguin and Vasily Kandinsky \n\u003Cbr class='autobr' \/\u003E\nJoyce&nbsp;(\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}