{"version":"1.0","type":"rich","provider_name":"La Tribune de l’Art","provider_url":"https:\/\/www.latribunedelart.com","title":"Techn\u00e8 - Sommaire du n\u00b0 40 - 2014","author_name":"La Tribune de l’Art","width":"800","height":"600","url":"https:\/\/www.latribunedelart.com\/techne-sommaire-du-no-40-2014","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/www.latribunedelart.com\/techne-sommaire-du-no-40-2014'\u003ETechn\u00e8 - Sommaire du n\u00b0 40 - 2014\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003ETh\u00e9rap\u00e9ia. Polychromie et restauration de la sculpture dans l\u2019Antiquit\u00e9, sous la direction de Brigitte Bourgeois. \n\u003Cbr class='autobr' \/\u003E\n Brigitte Bourgeois, Introduction. \u00c9tudier et conserver la polychromie antique. Vid\u00e9o-microscopie et arch\u00e9ologie de surface \n\u003Cbr class='autobr' \/\u003E\nI - L\u2019\u00e9clat divin de la couleur \n\u003Cbr class='autobr' \/\u003E\nHariclia Brecoulaki, Sophia Sotiropoulou, Christos Katsifas, Andreas G. Karydas, Vicky Kantarelou, A Microcosm of Colour and Shine. The Polychromy of Chryselephantine Couches from Ancient Macedonia \n\u003Cbr class='autobr' \/\u003E\nChristophe Barbotin, (\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}