{"version":"1.0","type":"rich","provider_name":"La Tribune de l’Art","provider_url":"https:\/\/www.latribunedelart.com","title":"Swedish Ecstasy","author_name":"Didier Rykner","width":"800","height":"600","url":"https:\/\/www.latribunedelart.com\/swedish-ecstasy","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/www.latribunedelart.com\/swedish-ecstasy'\u003ESwedish Ecstasy\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\u003Cp\u003EFive years ago, we discovered the art of Hilma af Klint, a Swedish painter from the end of the 19th century and the first half of the 20th century, whose works were linked to spiritualism.\u003Cbr class='autobr' \/\u003E\nThis is the subject of the current exhibition at the Palais des Beaux-Arts in Brussels (Bozar) devoted to five personalities of Swedish art. A curious concept that thus brings together several artists who share their nationality and the strange nature\u003C\/p\u003E\u003C\/blockquote\u003E\n"}