{"version":"1.0","type":"rich","provider_name":"La Tribune de l&#8217;Art","provider_url":"https:\/\/www.latribunedelart.com","title":"Strasbourg 1560-1600. The renewal of the arts","author_name":"Alexandre Lafore","width":"800","height":"600","url":"https:\/\/www.latribunedelart.com\/strasbourg-1560-1600-le-renouveau-des-arts-11719","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/www.latribunedelart.com\/strasbourg-1560-1600-le-renouveau-des-arts-11719'\u003EStrasbourg 1560-1600. The renewal of the arts\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\u003Cp\u003EDon&#8217;t know who Tobias Stimmer and Wendel Dietterlin are&nbsp;? That&#8217;s not a problem - this exhibition in Strasbourg is here to tell us, through a comprehensive overview of artistic creation at the end of the 16th century. As always in these magical places, the Mus\u00e9e de l&#8217;\u0152uvre Notre-Dame does much more than host the exhibition, since it is accessed via the magnificent spiral staircase built by the architect Hans Thomann Uhlberger between 1578 and 1585\u003C\/p\u003E\u003C\/blockquote\u003E\n"}