{"version":"1.0","type":"rich","provider_name":"La Tribune de l’Art","provider_url":"https:\/\/www.latribunedelart.com","title":"Studiolo. Sommaire du n\u00b0 9 - 2012","author_name":"La Tribune de l’Art","width":"800","height":"600","url":"https:\/\/www.latribunedelart.com\/sommaire-du-no-9-2012","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/www.latribunedelart.com\/sommaire-du-no-9-2012'\u003EStudiolo. Sommaire du n\u00b0 9 - 2012\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003EAnnick Lemoine, Editorial : Studiolo a dix ans \n\u003Cbr class='autobr' \/\u003E\nDossier : L\u2019\u0153uvre et sa pr\u00e9sentation \n\u003Cbr class='autobr' \/\u003E\nElsje van Kessel, How to Make an Image Work? The Presentation of Giorgione or Titian\u2019s Miraculous Christ Carrying the Cross at the Scuola di San Rocco \n\u003Cbr class='autobr' \/\u003E\nOrso Maria Piavento, Tra memoria e conversazione: pale d\u2019altare antiche ricomposte in Piemonte tra et\u00e0 barocca e XIX secolo \n\u003Cbr class='autobr' \/\u003E\nGenevieve Warwick, Bernini\u2019s Louis XIV, between Production and Display \n\u003Cbr class='autobr' \/\u003E\nEmmanuelle H\u00e9nin, Catalogue, titre, \u00e9tiquette : la (\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}