{"version":"1.0","type":"rich","provider_name":"La Tribune de l’Art","provider_url":"https:\/\/www.latribunedelart.com","title":"\u00ab Rocher Mistral \u00bb, heritage and parasol","author_name":"","width":"800","height":"600","url":"https:\/\/www.latribunedelart.com\/rocher-mistral-patrimoine-et-parasol","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/www.latribunedelart.com\/rocher-mistral-patrimoine-et-parasol'\u003E\u00ab Rocher Mistral \u00bb, heritage and parasol\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\u003Cp\u003EIn an opinion piece recently published in Figarovox, Vianney-Marie Audemard d\u2019Alan\u00e7on, chairman of SAS Rocher Mistral and unsuccessful creator of an amusement park at the classified Ch\u00e2teau de La Barben, calls for a drastic change in the \u2018philosophy of the heritage code\u2019. Criticising \u2018Ubuesque norms\u2019, a \u2018liberticidal system\u2019 that organises \u2018the conscious violation of the private property of historic monuments\u2019 and the supposedly extreme left-wing ideology of certain bodies and civil servants in the French Ministry of Culture, he is calling for a rebalancing of the rights and duties of the Regional Directorates for Cultural Affairs (DRAC).\u003C\/p\u003E\u003C\/blockquote\u003E\n"}