{"version":"1.0","type":"rich","provider_name":"La Tribune de l’Art","provider_url":"https:\/\/www.latribunedelart.com","title":"Revue de l\u2019Art n\u00b0220\/2023-2","author_name":"La Tribune de l’Art","width":"800","height":"600","url":"https:\/\/www.latribunedelart.com\/revue-de-l-art-no220-2023-2","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/www.latribunedelart.com\/revue-de-l-art-no220-2023-2'\u003ERevue de l\u2019Art n\u00b0220\/2023-2\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003E\u00c9ditorial \n\u003Cbr class='autobr' \/\u003E\nBarth\u00e9l\u00e9my Jobert, Voir Naples\u2026 \n\u003Cbr class='autobr' \/\u003E\nNotes et documents \n\u003Cbr class='autobr' \/\u003E\nOriane Lavit, De la plume au pinceau : \u0153uvres in\u00e9dites d\u2019Horace Le Blanc (vers 1575-1637) \n\u003Cbr class='autobr' \/\u003E\n\u00c9tienne Faisant, L\u2019apprentissage d\u2019Andr\u00e9-Charles Boulle \n\u003Cbr class='autobr' \/\u003E\nThibaud Dapremont, \u0152uvrer en amateur au XIXe si\u00e8cle. Le cas de Victor Masson \n\u003Cbr class='autobr' \/\u003E\nQuentin B\u00e9ran, Taliesin : nature d\u2019une architecture empathique et synesth\u00e9sique \n\u003Cbr class='autobr' \/\u003E\nChronique des expositions \n\u003Cbr class='autobr' \/\u003E\nUlysse Jardat, Jacques-Louis David, \u00ab dessinateur radical \u00bb \n\u003Cbr class='autobr' \/\u003E\nMathieu Caron, Les Palais (\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}