{"version":"1.0","type":"rich","provider_name":"La Tribune de l’Art","provider_url":"https:\/\/www.latribunedelart.com","title":"Revue de l\u2019Art n\u00b0217\/2022-3","author_name":"La Tribune de l’Art","width":"800","height":"600","url":"https:\/\/www.latribunedelart.com\/revue-de-l-art-no217-2022-3","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/www.latribunedelart.com\/revue-de-l-art-no217-2022-3'\u003ERevue de l\u2019Art n\u00b0217\/2022-3\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003E\u00c9ditorial \n\u003Cbr class='autobr' \/\u003E\nNotes et Documents \n\u003Cbr class='autobr' \/\u003E\nChiara Guerzi, Hypoth\u00e8ses pour le Maestro di Casa Pendaglia de Ferrare \n\u003Cbr class='autobr' \/\u003E\nAndrea G. De Marchi, Carracci, Ludovisi et Falconieri \n\u003Cbr class='autobr' \/\u003E\nEmmanuel R\u00e9mond, La \"V\u00e9nus de Milo\", fragments et restauration \n\u003Cbr class='autobr' \/\u003E\nPeter Kropmanns, La d\u00e9couverte de l\u2019art de Derain en Allemagne 1906-1914 \n\u003Cbr class='autobr' \/\u003E\nChronique des expositions \n\u003Cbr class='autobr' \/\u003E\nDaniela Gallo, \"Les Adam : La sculpture en h\u00e9ritage\" et \"La sculpture en son ch\u00e2teau. Variations sur un art majeur\" \n\u003Cbr class='autobr' \/\u003E\nVal\u00e9rie Mavridorakis, Soutine - de Kooning, (\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}