{"version":"1.0","type":"rich","provider_name":"La Tribune de l’Art","provider_url":"https:\/\/www.latribunedelart.com","title":"Revue de l\u2019Art n\u00b0205\/2019-3","author_name":"La Tribune de l’Art","width":"800","height":"600","url":"https:\/\/www.latribunedelart.com\/revue-de-l-art-no204-2019-2","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/www.latribunedelart.com\/revue-de-l-art-no204-2019-2'\u003ERevue de l\u2019Art n\u00b0205\/2019-3\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003E\u00c9ditorial \n\u003Cbr class='autobr' \/\u003E\nRestaurer Notre-Dame de Paris \n\u003Cbr class='autobr' \/\u003E\nNotes et documents \n\u003Cbr class='autobr' \/\u003E\nJoan Duran-Porta, Deux baldaquins romans en argent \u00e0 l\u2019abbaye de Ripoll \n\u003Cbr class='autobr' \/\u003E\nAlexandra Zvereva, \"Maintes belles ymages de grandz & petis personnages\" : quels portraits pour quels cabinets ? \n\u003Cbr class='autobr' \/\u003E\nTamara Engert, Un ensemble singulier du d\u00e9but du XVIIe si\u00e8cle. Les vitraux es charniers de Saint-Etienne-du-Mont \n\u003Cbr class='autobr' \/\u003E\nAnne Perrin Khelissa, L\u2019hommage de Fermel\u2019huis \u00e0 Elisabeth-Sophie Ch\u00e9ron (1712). Le premier \u00e9loge acad\u00e9mique d\u00e9di\u00e9 \u00e0 une (\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}