{"version":"1.0","type":"rich","provider_name":"La Tribune de l’Art","provider_url":"https:\/\/www.latribunedelart.com","title":"R\u00e9trospective Jos\u00e9 Camar\u00f3n Bonanat (1731-1803) \u00e0 Castell\u00f3n (Espagne) ","author_name":"Michel de Piles","width":"800","height":"600","url":"https:\/\/www.latribunedelart.com\/retrospective-jose-camaron-bonanat-1731-1803-a-castellon-espagne","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/www.latribunedelart.com\/retrospective-jose-camaron-bonanat-1731-1803-a-castellon-espagne'\u003ER\u00e9trospective Jos\u00e9 Camar\u00f3n Bonanat (1731-1803) \u00e0 Castell\u00f3n (Espagne) \u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\u003Cp\u003EAu printemps dernier, le mus\u00e9e San Pio V de Valence organisait la premi\u00e8re exposition consacr\u00e9e \u00e0 Jos\u00e9 Vergara, qui a introduit dans cette ville un baroque assagi et y avait \u00e9tabli deux Acad\u00e9mies\u003C\/p\u003E\u003C\/blockquote\u003E\n"}