{"version":"1.0","type":"rich","provider_name":"La Tribune de l’Art","provider_url":"https:\/\/www.latribunedelart.com","title":" Restoration of the Porte Dor\u00e9e at the Ch\u00e2teau de Fontainebleau ","author_name":"B\u00e9n\u00e9dicte Bonnet Saint-Georges","width":"800","height":"600","url":"https:\/\/www.latribunedelart.com\/restoration-of-the-porte-doree-at-the-chateau-de-fontainebleau","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/www.latribunedelart.com\/restoration-of-the-porte-doree-at-the-chateau-de-fontainebleau'\u003E Restoration of the Porte Dor\u00e9e at the Ch\u00e2teau de Fontainebleau \u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\u003Cp\u003EWhat remains of the original decoration ? The 16th-century frescoes that adorn the Porte Dor\u00e9e of the Ch\u00e2teau de Fontainebleau are in a sorry state, victims of the passage of time, climatic conditions, the quality of the plaster on which they were painted, and the successive restorations that they underwent from the 17th to the 20th century, the products used for these interventions having not evolved well.\u003C\/p\u003E\u003C\/blockquote\u003E\n"}