{"version":"1.0","type":"rich","provider_name":"La Tribune de l&#8217;Art","provider_url":"https:\/\/www.latribunedelart.com","title":"Researcher Announcement&nbsp;: Depictions of Flower Bouquets (1890\u20131930)","author_name":"La Tribune de l&#8217;Art","width":"1600","height":"900","url":"https:\/\/www.latribunedelart.com\/researcher-announcement-depictions-of-flower-bouquets-1890-1930","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/www.latribunedelart.com\/researcher-announcement-depictions-of-flower-bouquets-1890-1930'\u003EResearcher Announcement&nbsp;: Depictions of Flower Bouquets (1890\u20131930)\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\u003Cp\u003EAs a doctoral student in art history, I am examining the depiction of floral arrangements in France and Great Britain between 1890 and 1930. In this context, I am exploring the stylistic evolution of the floral still life&mdash;a genre that has been marginalized within the academic tradition and socially gendered as feminine, particularly due to the numerous depictions linking flowers and femininity. My research also focuses on the interactions and tensions surrounding the motif of the flower bouquet outside the artistic sphere, in relation to the visual and media culture of the time and developments in horticulture.\u003C\/p\u003E\u003C\/blockquote\u003E\n"}