{"version":"1.0","type":"rich","provider_name":"La Tribune de l’Art","provider_url":"https:\/\/www.latribunedelart.com","title":"Reappearance of a David and Goliath by Guido Reni","author_name":"Didier Rykner","width":"800","height":"600","url":"https:\/\/www.latribunedelart.com\/reappearance-of-a-david-and-goliath-by-guido-reni","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/www.latribunedelart.com\/reappearance-of-a-david-and-goliath-by-guido-reni'\u003EReappearance of a David and Goliath by Guido Reni\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\u003Cp\u003ESometimes exhibitions have fortunate consequences. Last year\u2019s exhibition by the Mus\u00e9e des Beaux-Arts d\u2019Orl\u00e9ans on Guido Reni and his studio, which highlighted the David and Goliath from its collections recently donated in full to the artist (see article), prompted the owner of a large painting very close to it, which he thought was an old copy of this composition, to contact the Turquin firm. The firm quickly realised that it was in fact another autograph version that had disappeared, and which is quoted in the catalogue.\u003C\/p\u003E\u003C\/blockquote\u003E\n"}