{"version":"1.0","type":"rich","provider_name":"La Tribune de l’Art","provider_url":"https:\/\/www.latribunedelart.com","title":"Rapha\u00ebl Experience","author_name":"Didier Rykner","width":"800","height":"600","url":"https:\/\/www.latribunedelart.com\/raphael-experience","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/www.latribunedelart.com\/raphael-experience'\u003ERapha\u00ebl Experience\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\u003Cp\u003EWe are often critical of exhibitions that are overrun by multimedia, which frequently deters us from looking at the works without providing any really useful information. Despite its ridiculous title, \"Experience Raphael\" brilliantly demonstrates that the opposite is possible. Everything about it is interesting, especially as you can visit the exhibition in at least two ways. Those who are allergic to these devices can concentrate on Lille\u2019s drawings - which are at the heart of the exhibition - and on the few comparative works. Those who take the time to look at everything will learn a great deal, aided by a clever museography.\u003C\/p\u003E\u003C\/blockquote\u003E\n"}