{"version":"1.0","type":"rich","provider_name":"La Tribune de l’Art","provider_url":"https:\/\/www.latribunedelart.com","title":"Prison for the National Gallery","author_name":"B\u00e9n\u00e9dicte Bonnet Saint-Georges","width":"800","height":"600","url":"https:\/\/www.latribunedelart.com\/prison-pour-la-national-gallery-12710","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/www.latribunedelart.com\/prison-pour-la-national-gallery-12710'\u003EPrison for the National Gallery\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\u003Cp\u003EThe window is a topos in painting to which the Fondation de l\u2019Hermitage in Lausanne devoted an exhibition in 2013, spanning from the Renaissance to the present day, while the Metropolitan Museum in New York, in 2010, focused on the 19th century, with works by L\u00e9on Cogniet, Johan Christian Dahl, Caspar David Friedrich, and also Carl Gustav Carus. The latter returned\u003C\/p\u003E\u003C\/blockquote\u003E\n"}