{"version":"1.0","type":"rich","provider_name":"La Tribune de l’Art","provider_url":"https:\/\/www.latribunedelart.com","title":"Print Quarterly - Volume XXXVI - num\u00e9ro 2 - June 2019","author_name":"La Tribune de l’Art","width":"800","height":"600","url":"https:\/\/www.latribunedelart.com\/print-quarterly-volume-xxxvi-numero-2-june-2019","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/www.latribunedelart.com\/print-quarterly-volume-xxxvi-numero-2-june-2019'\u003EPrint Quarterly - Volume XXXVI - num\u00e9ro 2 - June 2019\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003EContents \n\u003Cbr class='autobr' \/\u003E\nAnn Diels, Whose bread I eat, his song I sing : Philips Galle\u2019s Encomium Musices series \n\u003Cbr class='autobr' \/\u003E\nNatalia Keller, On Goya\u2019s Disaters of War, plates 69 and 36 \n\u003Cbr class='autobr' \/\u003E\nJohn P. Murphy, Charles White : the politics of Prints \n\u003Cbr class='autobr' \/\u003E\nShorter notices \n\u003Cbr class='autobr' \/\u003E\nCatherine Phillips, An etching after Michelangelo by Pierre Biard II \n\u003Cbr class='autobr' \/\u003E\nPeter Parshall, Ugo da Capri, Raphael and his mistress and The Odyssey. A reinterpretation \n\u003Cbr class='autobr' \/\u003E\nWaldemar Deluga, Fluorine etching in Cracow, Warsaw and Vilnius, 1901 - 20 \n\u003Cbr class='autobr' \/\u003E\nChristina Weyl, (\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}