{"version":"1.0","type":"rich","provider_name":"La Tribune de l’Art","provider_url":"https:\/\/www.latribunedelart.com","title":"Print Quarterly - Volume XXXV - num\u00e9ro 4 - Decembre 2018","author_name":"La Tribune de l’Art","width":"800","height":"600","url":"https:\/\/www.latribunedelart.com\/print-quarterly-volume-xxxv-numero-4-decembre-2018","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/www.latribunedelart.com\/print-quarterly-volume-xxxv-numero-4-decembre-2018'\u003EPrint Quarterly - Volume XXXV - num\u00e9ro 4 - Decembre 2018\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003EContents \n\u003Cbr class='autobr' \/\u003E\nLorenzo Gigante, \"The Madonna del Sangue\" : a miraculous print in Bagno di Romagna \n\u003Cbr class='autobr' \/\u003E\nBryony Bartlett-Rawlings, Jonathan Richardson (1667 - 1745) as etcher \n\u003Cbr class='autobr' \/\u003E\nMarie Gasper-Hulvat, \"What a boom, what a blast\" : Kazimir Malevich\u2019s war propaganda \n\u003Cbr class='autobr' \/\u003E\nShorter Notice \n\u003Cbr class='autobr' \/\u003E\nMartin Hopkinson, Gardeners\u2019 trade cards by William Kilburn and Fran\u00e7ois Vivares \n\u003Cbr class='autobr' \/\u003E\nNotes \n\u003Cbr class='autobr' \/\u003E\nCatalogue and book reviews \n\u003Cbr class='autobr' \/\u003E\nPeter Parshall, D\u00fcrer\u2019s epistolary mode \n\u003Cbr class='autobr' \/\u003E\nMarzia Faietti, Malvasia\u2019s Lives of the Bolognese painters (\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}