{"version":"1.0","type":"rich","provider_name":"La Tribune de l’Art","provider_url":"https:\/\/www.latribunedelart.com","title":"Print Quarterly - Volume XXXV - num\u00e9ro 3 - Septembre 2018","author_name":"La Tribune de l’Art","width":"800","height":"600","url":"https:\/\/www.latribunedelart.com\/print-quarterly-volume-xxxv-numero-3-septembre-2018","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/www.latribunedelart.com\/print-quarterly-volume-xxxv-numero-3-septembre-2018'\u003EPrint Quarterly - Volume XXXV - num\u00e9ro 3 - Septembre 2018\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003EContents \n\u003Cbr class='autobr' \/\u003E\nSimon Turner, Drawings Imitating Prints: Pierre van Schuppen \n\u003Cbr class='autobr' \/\u003E\nDavid Maskill, Impressions of a Print Dealer: Harold Wright and the Etching Boom \n\u003Cbr class='autobr' \/\u003E\nNatalia Keller, The Missing First States of Otto Dix\u2019s Circus Series  \n\u003Cbr class='autobr' \/\u003E\nShorter Notice \n\u003Cbr class='autobr' \/\u003E\nPatrick Frazer, Colour Linocuts Published by the Forest Press \n\u003Cbr class='autobr' \/\u003E\nNotes \n\u003Cbr class='autobr' \/\u003E\nCatalogue and Book Reviews\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}