{"version":"1.0","type":"rich","provider_name":"La Tribune de l&#8217;Art","provider_url":"https:\/\/www.latribunedelart.com","title":"Print Quarterly Volume XXXIX - num\u00e9ro 2 - Juin 2022","author_name":"La Tribune de l&#8217;Art","width":"800","height":"600","url":"https:\/\/www.latribunedelart.com\/print-quarterly-volume-xxxix-numero-2-juin-2022","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/www.latribunedelart.com\/print-quarterly-volume-xxxix-numero-2-juin-2022'\u003EPrint Quarterly Volume XXXIX - num\u00e9ro 2 - Juin 2022\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003EContents \n\u003Cbr class='autobr' \/\u003E\n Anna Welch, The Tree of the World: Llullian Thought in Franciscan Padua \n\u003Cbr class='autobr' \/\u003E\nAntony Griffiths, The Publication of Caricatures in France in 1814 and 1815. Part II: The Smaller Participants and Newcomers \n\u003Cbr class='autobr' \/\u003E\nKenneth Myers, Do What Mr&nbsp;Whistler Wants: How His Prints Should Be Framed. Part II: 1883\u20131904 \n\u003Cbr class='autobr' \/\u003E\nNotes \n\u003Cbr class='autobr' \/\u003E\nDavid S. Areford, Munich\u2019s Fifteenth-Century Prints \n\u003Cbr class='autobr' \/\u003E\nMichael Snodin, Pots, Prints and Politics: Ceramics with an Agenda, from the 14th to the 20th Century \n\u003Cbr class='autobr' \/\u003E\nAn Van Camp,&nbsp;(\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}