{"version":"1.0","type":"rich","provider_name":"La Tribune de l’Art","provider_url":"https:\/\/www.latribunedelart.com","title":"Print Quarterly Volume XXXIX - num\u00e9ro 1 - Mars 2022","author_name":"La Tribune de l’Art","width":"800","height":"600","url":"https:\/\/www.latribunedelart.com\/print-quarterly-volume-xxxix-numero-1-march-2022","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/www.latribunedelart.com\/print-quarterly-volume-xxxix-numero-1-march-2022'\u003EPrint Quarterly Volume XXXIX - num\u00e9ro 1 - Mars 2022\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003EContents \n\u003Cbr class='autobr' \/\u003E\nKaren L. Bowen and Dirk Imhof, The Rise and Fall of Charles de Mallery \n\u003Cbr class='autobr' \/\u003E\nAntony Griffiths, The Publication of Caricatures in Paris in 1814 and 1815, Part I: The Established Printsellers, Genty and Martinet \n\u003Cbr class='autobr' \/\u003E\nKenneth John Myers, Do What Mr Whistler Wants: How His Prints Should Be Framed, Part I: 1859\u201383 \n\u003Cbr class='autobr' \/\u003E\nNotes \n\u003Cbr class='autobr' \/\u003E\nMark McDonald, Engineering Late Sixteenth-Century Rome \n\u003Cbr class='autobr' \/\u003E\nCaroline Duroselle-Melish, Christophe Plantin (c. 1520\u201389) and his Press \n\u003Cbr class='autobr' \/\u003E\nMark McDonald, Representing from Life (\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}