{"version":"1.0","type":"rich","provider_name":"La Tribune de l’Art","provider_url":"https:\/\/www.latribunedelart.com","title":"Print Quarterly - Volume XXXIV - num\u00e9ro 4 - D\u00e9cembre2017","author_name":"La Tribune de l’Art","width":"800","height":"600","url":"https:\/\/www.latribunedelart.com\/print-quarterly-volume-xxxiv-numero-4-decembre2017","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/www.latribunedelart.com\/print-quarterly-volume-xxxiv-numero-4-decembre2017'\u003EPrint Quarterly - Volume XXXIV - num\u00e9ro 4 - D\u00e9cembre2017\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003EElmer Kolfin, When Africans became black. D\u00fcrer, Rubens and the changing image of Africans in Northern Europe \n\u003Cbr class='autobr' \/\u003E\nAAron M. Hyman, Patterns of colonial transfer : an album of prints in Mexico City \n\u003Cbr class='autobr' \/\u003E\nAnn V. Gunn, The fire of faction : Sources for Paul Sandby\u2019s satires of 1762 - 63 \n\u003Cbr class='autobr' \/\u003E\nAngel Arribas Gomez, Pollaiuolo\u2019s \"Battle of the nudes\" as a duel \n\u003Cbr class='autobr' \/\u003E\nAyumi Yasui, A woodcut by Sebald Beham \n\u003Cbr class='autobr' \/\u003E\nNotes \n\u003Cbr class='autobr' \/\u003E\nCatalogue and book reviews \n\u003Cbr class='autobr' \/\u003E\nDavid Kunzle, Rodolphe T\u00f6pffer\u2019s Correspondance \n\u003Cbr class='autobr' \/\u003E\nAntony Griffiths, (\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}