{"version":"1.0","type":"rich","provider_name":"La Tribune de l’Art","provider_url":"https:\/\/www.latribunedelart.com","title":"Print Quarterly - Volume XXXIV - Number 1 - March 2017","author_name":"La Tribune de l’Art","width":"800","height":"600","url":"https:\/\/www.latribunedelart.com\/print-quarterly-volume-xxxiv-number-1-march-2017","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/www.latribunedelart.com\/print-quarterly-volume-xxxiv-number-1-march-2017'\u003EPrint Quarterly - Volume XXXIV - Number 1 - March 2017\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003EContents \n\u003Cbr class='autobr' \/\u003E\nArticles \n\u003Cbr class='autobr' \/\u003E\nBarbara Butts and Marjorie B.Cohn, A Proposed Intaglio Addition to Leonhard Beck\u2019s Printed Oeuvre \n\u003Cbr class='autobr' \/\u003E\nRhoda Eitel-Porter, Lelio Orsi, Antonio P\u00e9rez and The Minotaur Before a Broken Labyrinth \n\u003Cbr class='autobr' \/\u003E\nJamie Gabbarelli, Cornelis Galle I Between Genoa and Antwerp \n\u003Cbr class='autobr' \/\u003E\nThomas Frangenberg, Franz Christoph von Scheyb on the Art of Engraving \n\u003Cbr class='autobr' \/\u003E\nJulie Mellby, The Drypoints of B. J. O. Nordfeldt \n\u003Cbr class='autobr' \/\u003E\nNotes \n\u003Cbr class='autobr' \/\u003E\nJean Michel Massing, Bruegel\u2019s Witches \n\u003Cbr class='autobr' \/\u003E\nThomas Dacosta Kaufman, Visual Cultures of (\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}