{"version":"1.0","type":"rich","provider_name":"La Tribune de l’Art","provider_url":"https:\/\/www.latribunedelart.com","title":"Print Quarterly - Volume XXXIII - Number 4 - December 2016","author_name":"La Tribune de l’Art","width":"800","height":"600","url":"https:\/\/www.latribunedelart.com\/print-quarterly-volume-xxxiii-number-4-december-2016","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/www.latribunedelart.com\/print-quarterly-volume-xxxiii-number-4-december-2016'\u003EPrint Quarterly - Volume XXXIII - Number 4 - December 2016\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003EContents \n\u003Cbr class='autobr' \/\u003E\nMonique Kornell, A Dating for Domenico Bonaveri\u2019s Notomie di Titiano \n\u003Cbr class='autobr' \/\u003E\nDapne E. Wouts, Exploring the Thysiana Scrapbook \n\u003Cbr class='autobr' \/\u003E\nAngelmaria Aceto, A Rediscovered Drawing by Jean Boulanger (c.1608\u2013c.1680) \n\u003Cbr class='autobr' \/\u003E\nMartin Hopkinson, Belgian Prints in Britain during World War I \n\u003Cbr class='autobr' \/\u003E\nJudith Goldman, Signs of Silence: Jasper Johns\u2019s Fragment of a Letter \n\u003Cbr class='autobr' \/\u003E\nNotes \n\u003Cbr class='autobr' \/\u003E\nJean Michel Massing, Karl Giehlow (1863\u20131913), Albrecht D\u00fcrer and Hieroglyphs \n\u003Cbr class='autobr' \/\u003E\nMadeleine Viljoen, The Dark Side of the Renaissance \n\u003Cbr class='autobr' \/\u003E\nMichael (\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}