{"version":"1.0","type":"rich","provider_name":"La Tribune de l’Art","provider_url":"https:\/\/www.latribunedelart.com","title":"Print Quarterly - Volume XXXII - Number 4 - December 2015 ","author_name":"La Tribune de l’Art","width":"800","height":"600","url":"https:\/\/www.latribunedelart.com\/print-quarterly-volume-xxxii-number-4-december-2015","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/www.latribunedelart.com\/print-quarterly-volume-xxxii-number-4-december-2015'\u003EPrint Quarterly - Volume XXXII - Number 4 - December 2015 \u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003EContents \n\u003Cbr class='autobr' \/\u003E\nJamie Gabbarelli, Philippe Thomassin and Giulio Mancini\u2019s Art Collection \n\u003Cbr class='autobr' \/\u003E\nSimon Turner, Views of Tanger by Robert Thacker and Thomas Phillips \n\u003Cbr class='autobr' \/\u003E\nRuth Pelzer-Montada, Brook Andrew and rebecca Salter : Thinking Contemporary Art Throught Mokuhanga \n\u003Cbr class='autobr' \/\u003E\nNotes \n\u003Cbr class='autobr' \/\u003E\nCatalogue and Book Reviews \n\u003Cbr class='autobr' \/\u003E\nNaoko Takahatake and Nancy Bialler, Chiaroscuro in the Renaissance \n\u003Cbr class='autobr' \/\u003E\nMark Mcdonald, Seventeenth-Century Zaragoza \n\u003Cbr class='autobr' \/\u003E\nPaolo Delorenzi, Artists and the Theater in Baroque Venice \n\u003Cbr class='autobr' \/\u003E\nAnette Michels, A (\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}