{"version":"1.0","type":"rich","provider_name":"La Tribune de l’Art","provider_url":"https:\/\/www.latribunedelart.com","title":"Print Quarterly - Volume XXXII - N°1 - Mars 2015","author_name":"La Tribune de l’Art","width":"800","height":"600","url":"https:\/\/www.latribunedelart.com\/print-quarterly-volume-xxxii-no1-mars-2015","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/www.latribunedelart.com\/print-quarterly-volume-xxxii-no1-mars-2015'\u003EPrint Quarterly - Volume XXXII - N°1 - Mars 2015\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003EContents \n\u003Cbr class='autobr' \/\u003E\nAda Palka, Jan Ziarnko\u2019s Anamorphic Print A Pair of Lovers Embracing \n\u003Cbr class='autobr' \/\u003E\nMartin Hopkinson, \u2019Enlightening the Ignorant\u2019 : the Early Years of the International Society \n\u003Cbr class='autobr' \/\u003E\nShorter Notices \n\u003Cbr class='autobr' \/\u003E\nPaul Joannides, An Engraving by Giulio Bonasone after a Drawing by Giulio Romano \n\u003Cbr class='autobr' \/\u003E\nChristiane Wiebel, Prince Albert\u2019s Reprint of Agostino Veneziano\u2019s The Witch\u2019s Procession \n\u003Cbr class='autobr' \/\u003E\nNotes \n\u003Cbr class='autobr' \/\u003E\nChris Williams, Renaissance Architecture \n\u003Cbr class='autobr' \/\u003E\nJean-Michel Massing, Sea Monsters \n\u003Cbr class='autobr' \/\u003E\nJohn E. Moore, City Views \n\u003Cbr class='autobr' \/\u003E\nCharis (\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}