{"version":"1.0","type":"rich","provider_name":"La Tribune de l’Art","provider_url":"https:\/\/www.latribunedelart.com","title":"Print Quarterly - Volume XXXI - Number 4 - December 2014","author_name":"La Tribune de l’Art","width":"800","height":"600","url":"https:\/\/www.latribunedelart.com\/print-quarterly-volume-xxxi-number-4-december-2014","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/www.latribunedelart.com\/print-quarterly-volume-xxxi-number-4-december-2014'\u003EPrint Quarterly - Volume XXXI - Number 4 - December 2014\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003EContents \n\u003Cbr class='autobr' \/\u003E\nWillem Adriaan Te Slaa, Willem van Nieulandt II as Printmaker \n\u003Cbr class='autobr' \/\u003E\nKathryn Brown, Touch and Vision in Edgar\u2019s Degas Darkfield Monotypes \n\u003Cbr class='autobr' \/\u003E\nStephen H. Goddard, Celestial Themes, Censorship and War in Henry de Groux\u2019s The Face of Victory \n\u003Cbr class='autobr' \/\u003E\nShorter Notices \n\u003Cbr class='autobr' \/\u003E\nBryony Bartlett-Rawlings, A drawing by Polifilo Zancarli for an Etching by Odoardo Fialetti \n\u003Cbr class='autobr' \/\u003E\nMartin Hopkinson, Whistler and The Fall of the House of Usher \n\u003Cbr class='autobr' \/\u003E\nNotes \n\u003Cbr class='autobr' \/\u003E\nCatalogue and Book Reviews \n\u003Cbr class='autobr' \/\u003E\nPeter Parshall, The Sorrows of Yong (\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}