{"version":"1.0","type":"rich","provider_name":"La Tribune de l&#8217;Art","provider_url":"https:\/\/www.latribunedelart.com","title":"Print Quarterly - Volume XXX - Number 1 - March 2013","author_name":"La Tribune de l&#8217;Art","width":"800","height":"600","url":"https:\/\/www.latribunedelart.com\/print-quarterly-volume-xxx-number-1-march-2013","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/www.latribunedelart.com\/print-quarterly-volume-xxx-number-1-march-2013'\u003EPrint Quarterly - Volume XXX - Number 1 - March 2013\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003EContents \n\u003Cbr class='autobr' \/\u003E\nJan Johnson, Alessandro Gandini&nbsp;: Uncovering the Identity of a Chiaroscuro Woodcutter \n\u003Cbr class='autobr' \/\u003E\nJane Immler Satkowski, The Print Drawer of the Coaci Inkstand \n\u003Cbr class='autobr' \/\u003E\nGyre and Gimble&nbsp;: The Artist Books of takei Takeo (1894-1983) \n\u003Cbr class='autobr' \/\u003E\nShorter Notices \n\u003Cbr class='autobr' \/\u003E\nElmer Kolfin, Rembrandt\u2019s Reclining Nude Reconsidered \n\u003Cbr class='autobr' \/\u003E\nHubertus Butin, Whatever is Coveted will be Forged - Forgers Set Their Sights on Contemporary Prints \n\u003Cbr class='autobr' \/\u003E\nNotes \n\u003Cbr class='autobr' \/\u003E\nCatalogue and Book Reviews \n\u003Cbr class='autobr' \/\u003E\nEckard Leuschner, Antonio Lafreri\u2019s religious Prints&nbsp;(\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}