{"version":"1.0","type":"rich","provider_name":"La Tribune de l&#8217;Art","provider_url":"https:\/\/www.latribunedelart.com","title":"Print Quarterly Volume XLII - Number 3 - September 2025","author_name":"La Tribune de l&#8217;Art","width":"800","height":"600","url":"https:\/\/www.latribunedelart.com\/print-quarterly-volume-xlii-number-3-september-2025","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/www.latribunedelart.com\/print-quarterly-volume-xlii-number-3-september-2025'\u003EPrint Quarterly Volume XLII - Number 3 - September 2025\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003EContents \n\u003Cbr class='autobr' \/\u003E\nCarolyn Yerkes, A Portrait of Israhel and Ida van Meckenem \n\u003Cbr class='autobr' \/\u003E\nEleonor Ling et Harry Metcalf, John Constable\u2019s Working Relationship with David Lucas on the English Landscape Series \n\u003Cbr class='autobr' \/\u003E\nJulian Stallabrass, An Activist Art&nbsp;: The Anti-Apartheid Prints of Norman Kaplan \n\u003Cbr class='autobr' \/\u003E\nShorter Notices \n\u003Cbr class='autobr' \/\u003E\nLea Monteil, A \"Power of Women\" Series by Peter Fl\u00f6tner \n\u003Cbr class='autobr' \/\u003E\nNiklas Leverenz, Lithographs from Shanghai of the east Turkestan Engravings, 1890 \n\u003Cbr class='autobr' \/\u003E\nNotes \n\u003Cbr class='autobr' \/\u003E\nDagmar Korbacher, A History of Women Artists in&nbsp;(\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}