{"version":"1.0","type":"rich","provider_name":"La Tribune de l’Art","provider_url":"https:\/\/www.latribunedelart.com","title":"Print Quarterly Volume XLII - Number 2 - June 2025","author_name":"La Tribune de l’Art","width":"800","height":"600","url":"https:\/\/www.latribunedelart.com\/print-quarterly-volume-xlii-number-2-june-2025","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/www.latribunedelart.com\/print-quarterly-volume-xlii-number-2-june-2025'\u003EPrint Quarterly Volume XLII - Number 2 - June 2025\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003EContents \n\u003Cbr class='autobr' \/\u003E\nLuca Baroni, A Portrait of Angelo del Pas Attributed to Luca Ciamberlano \n\u003Cbr class='autobr' \/\u003E\nJane Eade, A Mezzotint by Jacob Christoff Le Blon (1667\u20131741) at Oxburgh Hall \n\u003Cbr class='autobr' \/\u003E\nStephen Bann, Abraham Raimbach and the Reception of Prints after Sir David Wilkie in France \n\u003Cbr class='autobr' \/\u003E\nPaul Joannides, John Linnell, Leonardo Cungi and the Vault of the Sistine Chapel \n\u003Cbr class='autobr' \/\u003E\nNotes \n\u003Cbr class='autobr' \/\u003E\nUlrike Eydinger, Early Modern Visual Parodies (Gegenbilder. Bildparodistische Verfahren in der Fr\u00fchen Neuzeit) \n\u003Cbr class='autobr' \/\u003E\nNigel Ip, Printing Magic (Art of (\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}