{"version":"1.0","type":"rich","provider_name":"La Tribune de l’Art","provider_url":"https:\/\/www.latribunedelart.com","title":"Piero della Francesca e le corti italiane","author_name":"Neville Rowley","width":"1600","height":"900","url":"https:\/\/www.latribunedelart.com\/piero-della-francesca-e-le-corti-italiane","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/www.latribunedelart.com\/piero-della-francesca-e-le-corti-italiane'\u003EPiero della Francesca e le corti italiane\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\u003Cp\u003E1992 \u00e9tait « l\u2019ann\u00e9e Piero ». Cinq si\u00e8cles apr\u00e8s sa mort, survenue le jour m\u00eame de la d\u00e9couverte de l\u2019Am\u00e9rique par Christophe Colomb, l\u2019Italie centrale avait honor\u00e9 le peintre d\u2019une myriade d\u2019expositions.\u003C\/p\u003E\u003C\/blockquote\u003E\n"}