{"version":"1.0","type":"rich","provider_name":"La Tribune de l’Art","provider_url":"https:\/\/www.latribunedelart.com","title":"Passavant le Meilleur. Champagne in the time of the counts","author_name":"Didier Rykner","width":"1600","height":"900","url":"https:\/\/www.latribunedelart.com\/passavant-le-meilleur-champagne-in-the-time-of-the-counts","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/www.latribunedelart.com\/passavant-le-meilleur-champagne-in-the-time-of-the-counts'\u003EPassavant le Meilleur. Champagne in the time of the counts\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\u003Cp\u003EThe title of the Cit\u00e9 du Vitrail exhibition calls for an explanation : « Passavant le meilleur » is the rallying cry to the banner of the counts of Champagne. This is how it is defined in the catalogue, whose richness must be emphasised : no fewer than 574 pages, with essays and entries in abundance. It is, without question, a considerable undertaking that must be acknowledged.\u003Cbr class='autobr' \/\u003E\nIt should be noted, which is clearly not a criticism but a simple clarification for our review, that this is above all a historical exhibition in which many highly evocative documents and objects are presented, but which, for the most part, do not belong to the artistic field. One nevertheless finds important works of art, such as a stone statue of Isabelle of France\u003C\/p\u003E\u003C\/blockquote\u003E\n"}