{"version":"1.0","type":"rich","provider_name":"La Tribune de l’Art","provider_url":"https:\/\/www.latribunedelart.com","title":"On horseback : equestrian portraiture in Renaissance France","author_name":"B\u00e9n\u00e9dicte Bonnet Saint-Georges","width":"800","height":"600","url":"https:\/\/www.latribunedelart.com\/on-horseback-equestrian-portraiture-in-renaissance-france","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/www.latribunedelart.com\/on-horseback-equestrian-portraiture-in-renaissance-france'\u003EOn horseback : equestrian portraiture in Renaissance France\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\u003Cp\u003E\"Train the brain more than the kidneys and legs [1]\". The advice was given to train a horse, but it applies just as well to educate a man. Antoine de Pluvinel, the king\u2019s first equerry, teacher to the young Louis XIII and author of the Man\u00e8ge royal took the comparison a step further : horses are like people ; they should be tactfully bridled and led \"with discretion, without making them angry\u003C\/p\u003E\u003C\/blockquote\u003E\n"}