{"version":"1.0","type":"rich","provider_name":"La Tribune de l’Art","provider_url":"https:\/\/www.latribunedelart.com","title":"Rosalba Carriera enters Versailles","author_name":"Alexandre Lafore","width":"800","height":"600","url":"https:\/\/www.latribunedelart.com\/nouvelle-traduction-rosalba-carriera-entre-a-versailles","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/www.latribunedelart.com\/nouvelle-traduction-rosalba-carriera-entre-a-versailles'\u003ERosalba Carriera enters Versailles\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\u003Cp\u003EIt is a work that would have been a wonderful addition to the exhibition devoted to King Louis XV), where the absence of pastel portraits of the monarch was deplored : one of them was awaiting its time in a Brittany ch\u00e2teau, but has just joined the French public collections, where it naturally has its rightful place. In this effigy, we can recognise the features of the ten-year-old sovereign who was immortalised during a documented posing session in June 1720 by Rosalba Carriera, the great Venetian pastelist so sought-after by the European elite.\u003C\/p\u003E\u003C\/blockquote\u003E\n"}