{"version":"1.0","type":"rich","provider_name":"La Tribune de l’Art","provider_url":"https:\/\/www.latribunedelart.com","title":"Illness and quarrel in Seville","author_name":"B\u00e9n\u00e9dicte Bonnet Saint-Georges","width":"800","height":"600","url":"https:\/\/www.latribunedelart.com\/nouvelle-traduction-maux-et-querelle-a-seville","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/www.latribunedelart.com\/nouvelle-traduction-maux-et-querelle-a-seville'\u003EIllness and quarrel in Seville\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\u003Cp\u003EThe center of the composition is empty, or rather it is occupied by the tile floor of the room, whose shades can be observed at leisure, animated by a play of light and shadow. This is a perfect evocation of waiting. The air is dull, weary, tired ; three people sit in a row, squeezed between two doors, relegated to a corner of the vestibule and the canvas : an elderly resigned woman, a worried mother leaning over her infant, a worker with his arm in a sling staring into space. A little girl appears in silhouette in the doorway, scarcely livelier than the others. All stages of life are thus evoked in this waiting room.\u003C\/p\u003E\u003C\/blockquote\u003E\n"}