{"version":"1.0","type":"rich","provider_name":"La Tribune de l&#8217;Art","provider_url":"https:\/\/www.latribunedelart.com","title":"The Louvre\u2019s scapegoats","author_name":"Didier Rykner","width":"800","height":"600","url":"https:\/\/www.latribunedelart.com\/nouvelle-traduction-les-fusibles-du-louvre","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/www.latribunedelart.com\/nouvelle-traduction-les-fusibles-du-louvre'\u003EThe Louvre\u2019s scapegoats\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\u003Cp\u003EWe have been writing this regularly since the theft of October 19 at the Louvre&nbsp;: the accumulating evidence demonstrating the mismanagement of the Louvre\u2019s presidency would, in any democracy that respects itself, warrant the resignation of Laurence des Cars. The relentlessness is not ours, but that of the \u00c9lys\u00e9e and, by extension, the Ministry of Culture, who stubbornly insist on keeping her in her position.\u003C\/p\u003E\u003C\/blockquote\u003E\n"}