{"version":"1.0","type":"rich","provider_name":"La Tribune de l’Art","provider_url":"https:\/\/www.latribunedelart.com","title":"More S\u00e8vres for Fontainebleau","author_name":"Didier Rykner","width":"1600","height":"900","url":"https:\/\/www.latribunedelart.com\/nouvelle-traduction-encore-des-sevres-pour-fontainebleau","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/www.latribunedelart.com\/nouvelle-traduction-encore-des-sevres-pour-fontainebleau'\u003EMore S\u00e8vres for Fontainebleau\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\u003Cp\u003EFortunately, the showcases at Fontainebleau are not only filled with busts of the Napoleonides, judiciously acquired with metronome-like regularity, but also with an increasing number of imperial porcelains, for which the Ch\u00e2teau is gradually becoming the natural place to display the great commissions made at S\u00e8vres.\u003C\/p\u003E\u003C\/blockquote\u003E\n"}